Adam Krause

I think the best photographs and all good art offer up, if you take the time to look or listen, nuanced layers of meaning that only come across in the details. The first impression, as powerful as it may be, will only last and linger if there are echoes and small surprises in the work that can be discovered over time. Details, in this sense, are not simply small, visual clues that can escape your notice but larger meanings that aren’t immediately apparent.

Doug Dubois, 2011

Landscape Stories

Photographer David Guttenfelder describes how taking pictures of the slaughter of songbirds is like covering a war. 

Dmitry Baltermants
Trey Wright
Mads Holm
Daniel Seung Lee
Alec Soth
William Broadhurst
The other day, I was talking with a photographer friend. “Will there come a time when we run out of things to photograph? Can it be that this insatiable urge to make pictures will one day evaporate?” I asked. “As long as there are problems in this world, there is a reason to make work. And there will always be problems.” he answered.
It sent me thinking long and hard – is this what drives me onwards?  I arrived at NO, not for me. My pictures are not complaints or pleas or criticisms – they are forms of acceptance, a notion of hope, and the need to celebrate even when the odds are against us. For me, as long as there is desire, longing and chance of redemption in this world, there is a reason to make pictures of the whole complicated, beautiful mess.
-Irina Rozovsky
Paccarik Orue
Stephen Shore

Stephen Shore

Todd Hido

Todd Hido

Joel Sternfeld

Joel Sternfeld